(Blogger note: Except for 2013-14 updates below, much of this website was written between 2009-11. Reader notice: All 'abba4ever' forum hyperlinks (within the blog's text) are defunct. (Forum has closed.))
Showing posts with label Agnetha Fältskog. Show all posts
Showing posts with label Agnetha Fältskog. Show all posts

Monday, March 11, 2013

Official web pages for Agnetha at last! Plus, first "A" album singles.

  
(Official website links are below...)

So, (as before) please consider what's posted here as an unofficial artist appreciation/music-voice analysis/(in-depth) artist background fan-blog.  (As always - there's lots of other information/insight(s) right here that cannot be (at least readily) found elsewhere. (Especially: Official websites. Update: The artist's official Facebook page is being run/updated reasonably well.so far.. ) Plus, pls. check the comments at the end of this post for some early impressions of the star singer's initial (album) single releases.)

Here is a link to one good summary of what's currently happening with the artist, album, web pages, etc. (Off-site link, new window opens:) http://www.prnewswire.com/news-releases/agnetha-makes-a-universal-return-196818711.html
...(Hey! I 'called' her a siren first, here (link)....) Whatever...https://www.youtube.com/watch?v=J---aiyznGQ
Update: This fan forum now has a transcript of a little-more in-depth Swedish radio interview with Agnetha (3/12/13). Off-site link, new window opens:  http://www.iphpbb.com/board/ftopic-30652567nx61610-13491.html

Plus: A link (below) to a 3/17/13 article from William Langley of The Telegraph (U.K.). A mainstream article that actually gets some details (which are mostly not-music-oriented (though)) more or less correct, about the singer/her career/life. (Pretty much as well as (all) others not able to directly interview/know the singer.  Mr. Langley's prose is enjoyable at moments: Young Agnetha was indeed "an arresting beauty". The writer even used a proper weather descriptor for the 1979 ABBA "tornado flight"!)
Some 'conclusions' (in the article) seem stretched, however. (Not that something like that may have occasionally happened right here...)  Unfortunately, (apparently) there is no avoiding the strange Dutchman affair (i.e., "the man who wouldn't go away").  
One more thing::Can any mainstream article be written (about the artist) without the word "recluse" included somewhere within it?? (Apparently not: Though this particular article 'dances' around it, the word generally is improperly applied to the (often) private individual... (I.e., adult Agnetha.)) BTW: As noted in the next post here, part of the reason for the "A" album 'comeback' is (to try) to refute/dispel that (false) image...
All of this is why it may be (at least) kindest -- at this point, years on now -- to focus upon the captivating lady's singing/performing talent and efforts. As we mostly attempted to do (not totally successfully) right here on this website. 
Current off-site link to Telegraph article, new window opens: http://www.telegraph.co.uk/culture/music/rockandpopfeatures/9933274/Abbas-Agnetha-Faltskog-Could-the-girl-with-the-golden-hair-get-lucky-at-last.html

May, '13 update: Link to a fan forum topic featuring various 'press reviews' of "A". Some early ones (of those) seem mixed.  (With a few significant positive ones, though.) Interestingly, as is pointed out in the forum's comments, I (also) occasionally wonder if certain critics generally do not enjoy some genres of music. Off-site link to forum topic, new window opens:  http://www.iphpbb.com/board/ftopic-30652567nx61610-13787.html
(One professional review excerpt (source linked):) "... Fältskog always sounded like the shy girl from the typing pool who just stood up, started to sing and found she possessed a pure, crystalline voice.
I like that...Although the Swedish performer actually produced an '80s song/video (link) that kind of matches that (exact) image, I had not quite pictured her in that way. (She sounds more grown-up now, I think.)
 ...Also, an off-site link to another interestingly-written, up-and-down album review (new window opens):  http://www.musicomh.com/reviews/albums/agnetha-faltskog-a)

...Agnetha will always have many fans of her voice, who will no doubt enjoy her "A" song efforts.


(Continuing previously written text::) Though the following pages are - of course - associated with new album promo, it has been time for quite awhile now for Agnetha to have an official, on-line presence. Good for her, and for connecting with fans... in these ways!! (no affiliation):

Agnetha's official website (at last!). (New window opens, no affiliation):    http://www.agnetha.com/
....Including a favorably-done 'biography' (link): http://www.agnetha.com/biography/

Agnetha's official Facebook page (new window opens): https://www.facebook.com/AgnethaOfficial

Official Agnetha Twitter : 
Twitter: @AgnethaOfficial

Official YouTube channel for Agnetha! http://www.youtube.com/user/AgnethaOfficial

Official YouTube VEVO channel:  http://www.youtube.com/user/AgnethaVEVO

>>> The first (YouTube) video release (official) from "A" (the new album)!:


(YT video link )

(Sample:)
(YT video  link Yes: Some of the song links may not 'survive' here. Might try this one...: http://www.youtube.com/watch?v=-KRi4nspjRA)

>>> A tiny 'teaser' initial take (on this song-snip (above)): Sounds (very) close to 'classic' Agnetha....!
A bit 'schlager' perhaps, but she performs those (songs) well. And  yes!: I think I can hear a little (sampling of) Dusty in this cut.  
(...(If it remains available above,) Even just the HD YouTube 'snippet' of Agnetha's "The One Who Loves You Now" may represent (at least) a 'hope' come true for this blog/blogger. (And all fans...)  She's sounding very good in this song section, at least.... 
A 'knockout' effort (so far) by the mature singer... Now waiting for the full song (in good sound quality)..)



(Per the following interview...I now wish to be a (domestic Swedish house-) dog.)     (If needed,) Please click on the "CC" icon next to the 'cog' - just below the video - for (English) sub-titles:

(YT video link )

(Jon ▼ )






(Image source: http://www.publicdomainpictures.net/view-image.php?image=34247&picture=tempting-a-dog-silhouette)
... Woof

Thursday, June 11, 2009

Angels in Disguise: ABBA's 'That's Me'

"Retro discovery": A "new" ABBA promo video. Uhh, new for me, that is....I much-belatedly started listening to this legendary pop band only a few months ago. (A link to the well-sung 1970's video is near the end of this post. We're taking a short break from "Agnetha solo", here...)

As noted on several occasions here both ABBA front singers Agnetha [aŋˈneːta] Fältskog and Frida Lyngstad were good actresses in their early, song-promoting film clips. Even knowing this, it seems to me that both are especially enjoying presenting 1976's "That's Me". (The surprisingly intriguing "B-side" for mega-hit "Dancing Queen".)

(Dancing. Old image freely available from LIFE photo archives)

ABBA guiding force, manager Stig Anderson could be candid when giving interviews about his charges. E.g., in this (well-done) ABC News "20/20" segment from 1979, he provides Pierre Salinger with quick but quite revealing "capsules" of the supergroup's four stars. (Also ref.: Carl Magnus Palm's "Bright Lights, Dark Shadows".)

Closely-involved Stig nonchalantly describes both ABBA ladies as having "temperaments". (But also softens this with other observations.) And I believe that this was likely true to a degree. The sometimes volatile nature of the women's relationships (before, during, and after ABBA) may (further) bear this out. Both (apparently) were strongly individual, with perhaps a little vulnerability at times.

(I'm speculating a bit, but if Björn Ulvaeus wrote this song's lyrics (as he usually did for ABBA by mid-1976), he was increasingly writing from personal experience/relationship experience. See pages 285 and 294 in Carl Magnus Palm's 2001 ABBA biography for additional background information.)

"That's Me"'s promo seems a rather quick "knock-off", incorporating clips from other ABBA vids., etc. But the videogenic women and their expressions make it quite watchable
. (Shot in tight close-up: You have to be an attractive person to pull that off....)) The ladies - posed sister-close - are enjoying this song; looking nice, singing in their sultry/sweet voices .... (*cough*) about (perhaps) some (personal?) high-maintenance qualities. (As we're forewarned in the song's opening lines.) Almost looks like they're keeping back a laugh every now and then (as they mime the song). It's good acting -- perhaps in part because some of the words were meaningful (for the two). Both ladies (are able to)  "reach through the screen" on this one:

Check out the whimsical looks as they sing "That's me, you see" around the song's middle section. Were these ladies "diva-like"? At times, I'll bet.
(Ms. Fältskog eventually named one of her greatest hits (solo) compilations with the same title. This song is said to be one of her favorites. 11/09 update: Confirmed as one of Agnetha's favorite songs (ABBA); per page 133 in the "As I Am" biography.) Knowing some of the group's backstories it's hard not to smile a bit watching their (seemingly) tongue-in-cheek performance (at moments) here.


Anyway, another underrated pop song from the group/artists. It's humorously done but to some extent expresses a contemporary attitude.

"Angels in disguise". Who knows; perhaps in this man's world they are.... Both definitely could sing like it.  "That's Me"'s in-unison singing, quickly followed by the two voices wonderful harmonies:
It is "(ABBA) vocal magic" on display...  Two modern-day 'sirens'. (Link is to word definition; meaning #2 -- but part of def. #1, also....)
  2014 update: Love the coincidental (lyrics) reference: "I believe in angels...", in a snippet of the two (snowy) ABBA beauties at the 0:48 mark of this cool, official video (link, new window).

(Continuing:) -> More: Watching the video performance several times: Though seemingly a fairly "routine" (for ABBA) effort, taken as a whole -- song, singing, (certain) lyrics, video presentation, ladies' performances (video and in-unison singing) -- I think it shows multifaceted greatness (from this group). And, it's also somehow (rather) intensely personal to/for viewers. (For the time period. Again; the womens' acting has something to do with this.)

A few selected lyrics from "That's Me" are at the end of this entry.



The YT video (at last):

Link to this video (functioning as of 2009): http://www.youtube.com/watch?v=mP_dk429rbc&fmt=18


Bonus: For a more complete perspective from the two ladies (in general), please re-visit this 2009 "Aftonbladet" interview: http://www.aftonbladet.se/nojesbladet/article4248848.ab
And, if you're in to "retro-competitions" with these two here's a poll for you (link).

(Oh...And let's hope that the tune's "Carrie" reference wasn't somehow to Brian DePalma's (late) 1976 movie "carrying" the same name. That is unlikely, however: Both the (detailed) "ABBA Annual" site and Wikipedia show "That's Me" recorded/released in 1976 (August), as a 'B' side. It was then later released as a single in Japan in 1977.)

Selected lyrics, "That's Me". Artist: ABBA:

"Are you sure you wanna hear more
What if I ain't worth the while
Not the style you'd be lookin' for
If I'm sweet tonight
Things look different in the morning light
I'm jealous and I'm proud
If you hurt my feelings I'll cry out loud
I'm Carrie not-the-kind-of-girl-you'd-marry
That's me

Are you sure you wanna hear more
Would I be the one you seek
Mild and meek like the girl next door
Don't you realise
I may be an angel in disguise
It's lonely to be free
But I'm not a man's toy, I'll never be
I'm Carrie not-the-kind-of-girl-you'd-marry
That's me "

(etc.)

Added 'bonus': The following linked performance (currently) available on YouTube is of a different ABBA song. It is included to help (further) demonstrate three things: 1) How absolutely beautiful both ABBA's singers were in their prime performing years. (E.g., It is not that 'easy' (for most) to look that great in bright sunshine...) In more than one way the two together (still) have no equal (duo) in popular music. ABBA (as an entity) was indeed smart and fortunate to attract and (further) develop such talent. Singing sirens.... 2) ABBA showed prescience to film song promo videos or actual (television) programs such as this one (in part), years prior to MTV. Though likely not a primary aim at the time, new generations are able to "discover" the supergroup from its peak years via such films. These are going to be viewed/re-viewed for a long, long time to come.... (Thanks again to '2Shaymcn' for editing/posting it - please mind your (headphones) volume.)
3) Did I mention that the ABBA ladies were very beautiful?? (Check out a couple of the viewer comments on the actual YT video...) Anyway...the two are posed/acting for the video here, but I think it's pretty clear that they got along OK...
('Subjective' 3a.) Frida's most becoming hairstyle of any video (I've located)...Except this one (link), also.)

Enjoy. It's 'old-time' now, but there's still nothing quite like these two: (link) http://www.youtube.com/watch?v=AyGmvfJiJ-4
 


Yet another worthwhile look back: 'Deep link' (click) to part of a beautiful, YouTube photo/music tribute to ABBA, by 'nickless1980'. Of the many excellent photos displayed, the too-brief (candid) moment at the 6:22-23 mark picturing young and joyful ABBA ladies together - as Dune's outstanding "One Of Us" closes out - is bittersweet. Poignant now...as is much of this video collage- plus-music.




(Image source: Getty Images. Non-commercial usage. No ownership/endorsements expressed or implied.)

Link to my full blog: http://star4abba.blogspot.com/

Thursday, May 21, 2009

For my summary post: (Pre-)Qualification, plus more info.

As I belatedly learn more about super Swedish pop group ABBA and its members, it is becoming apparent that I should read Carl Magnus Palm's 2001 biography, "Bright Lights, Dark Shadows: The Real Story of ABBA". Though unauthorized, it appears that the book is well written and researched. And Palm is described as "the world's foremost ABBA historian".

So I'll be doing that. Catching up with many of the rest of ABBA fans, via the 2008 updated paperback version..



In the meantime, to be considered along with my next ("summary") post entry (5/21/09); an interesting excerpt follows from a "TV Week" review of the book, published by a commenter on this web site. Note a couple of the insights from Palm about Agnetha Fältskog here. It seems like some of my initial impressions (laid out in my summary post) are in accord with the author's. I especially like this succinct observation: “Of the singers, Agnetha was a reluctant sex symbol for whom fame became a poisoned chalice..." (Succinctness....something I could definitely learn from Mr. Palm.)

Excerpt from "TV Week", Sept. 29, 2001, pages 12-13, "ABBA: The Way We Were – Super Troupers":
"The group members have always shied away from intrusive publicity, but a revealing new, unauthorized biography by Swedish writer Carl Magnus Palm called ‘Bright Lights, Dark Shadows’ (Omnibus Press, $55) presents a portrait of ABBA’s dramatic rise and fall.
It looks into the members’ childhoods, their musical backgrounds before forming ABBA and their personal battles once fame arrived.
“Of the two instrumentalists in ABBA, Benny was a self-taught musician with a streak of determination that carried him and the group all the way, and Björn, a gifted songwriter whose talent was inherited from his grandfather,” Carl explains.
“Of the singers, Agnetha was a reluctant sex symbol for whom fame became a poisoned chalice, and Anni-Frid was an orphan who carried on reinventing herself until she became, quite literally, a princess – after her divorce from Benny, Anni-Frid married a German prince called Ruzzo Reuss von Plauen who was an architect.”
Although Frida and Agnetha found love and security with Benny and Björn, the relationships were far from simple.
Frida and Benny both had children by previous marriages, and the guilt Frida felt at leaving her family behind to pursue her singing career in Stockholm weighed heavily. Agnetha was just 21 when she married Björn, and her new life in the spotlight (which eventually led to her current existence as a virtual recluse) was at odds with her desire to be a “normal” housewife and mother.
“They were held up as being two perfect, happy couples,” Carl says. “But in Swedish papers they were quite open and honest about their differences and their volatile relationships.”"
(Some additional excerpted info. from the book follows, here.)


Also: Additional good info./stories: The outstanding "ABBA Annual" website has the following two articles from "back in the day" which revealed much about ABBA members, particularly the two women. The astounding thing about the first revealing article (link) is that it's from mid-1975. Both ladies already sound more than a little tired and uncomfortable with their new roles, new fame. Imagine how much worse that must have gotten(!). Did they have any fun? Let's hope so. The second article (1981), you may take for what you want. It could be trash, but some of it seems (to have been) true, or close. (If so, poor Agnetha! Stop "punishing" yourself...Let's hope she finally did.) Also, makes me again wonder about that Björn dude. What exactly did he want in a wife? But, it usually takes two to "tangle"....This all apparently written about (quite well) by Björn in his fine ABBA song: "One Man, One Woman".

The ABBA members certainly were talkative that time in 1981...



Blog note: This addendum is backdated to better fit with the overall list of posts here. (And, it actually now precedes (and therefore is meant to qualify, or be considered along with) my 5/21/09 "Summary, to date..." entry. Its creation date is 7/7/09. -- Mr. D. Tails


Link to my full blog: http://star4abba.blogspot.com/

Monday, May 18, 2009

SOS: ABBA's stormy 1979 Boston concert flight (Windsor Locks tornado)

© 2009-13 (original sections) Please request permission to copy via the comments option at the end of this post. ....Thank you.

3/13 update: If interested,a prominent BBC article (by Mark Savage, 3/10/13,  re Ms. Fältskog's 2013 comeback) briefly referred to the 1979 ABBA "tornado" flight; weather details examined at some length below.  
(Off-site link to the BBC article, new window opens: http://www.bbc.co.uk/news/entertainment-arts-21687897

As may be discerned below it is doubtful that the '79 flight actually "...flew straight into the middle of a tornado..." (The one that occurred in this case was 'rated' as 'F4' in intensity, producing "devastating damage", winds over 200mph*, etc. Different storm/example: What a devastating tornado might have looked like (link). *Note: The 1979 tornado was rated with the older Fujita scale; which likely overstates wind speeds. Please ref. the "Enhanced Fujita scale"(off-site link).
However, as concluded below, a series of severe thunderstorms moved through the New England region at various times/locations during that afternoon/early evening. It is fairly clear that the small plane carrying Ms. Fältskog (and others) encountered one or more of those storms. In short; a bad - if-not-outright-dangerous-weather afternoon/evening to be flying in that area.
 
(Original text:)
Many ABBA/Agnetha [aŋˈneːta] Fältskog fans are familiar with the basic story: In the final stages of ABBA's 1979 U.S. concert tour, Ms. Fältskog and other members of the band's entourage boarded a small private jet to fly from New York to Boston. (For a show there that evening.) Unfortunately their October 3, 1979 afternoon flight possibly came near what became one of the worst storms in modern Connecticut history. (Or just following it. Please see analysis further below.)

(http://ams.allenpress.com/perlserv/?request=get-abstract&doi=10.1175%2F1520-0493%281987%29115%3C1655%3ATWLCTO%3E2.0.CO%3B2&ct=1 This image is in the public domain because it contains materials that originally came from the U.S. National Oceanic and Atmospheric Administration, taken or made during the course of an employee's official duties.)

Carl Magnus Palm's "Bright Lights, Dark Shadows" ABBA biography has the best description of what the crew and passengers of the unlucky flight subsequently endured in the skies over New England, thirty years ago. (Pages 414-15.) Suffice to say it was a harrowing experience for all involved, as the small jet was buffeted by stormy conditions and had to change course more than once. According to the Mr. Palm's description, fuel was running low when the plane finally was able to make an emergency landing at Manchester, New Hampshire. Ms. Fältskog and others were understandably shaken, but managed to travel to Boston and proceed with the concert that night. (BTW: Other band members including ex-husband Björn Ulvaeus traveled separately to the show, as was ABBA's usual procedure for parents of children. Pls. see "Bio" section, via link.))

For many fans, etc., however, here's the brief description that's usually found for this event:

"The last scheduled ABBA concert on the US soil, in Washington, DC, was cancelled due to Fältskog's extreme emotional distress she suffered during the flight from New York to Boston when the private plane she was on was subjected to the extreme weather conditions (see Windsor Locks, Connecticut Tornado) and for a long time couldn't land."

Without flight time/flight path information, we may never know how close Ms. Fältskog's plane was to the unusually-moving thunderstorm that spawned a violent F4 tornado at around 3pm local time. The short-lived but devastating storm ripped through the Windsor Locks, CT area, causing three deaths, several hundred injuries and more than $400 million in property damage (adjusted).  (Note: The north-moving, strong tornado  traveled near Connecticut Route 75, just east of the airport. Though several outer buildings were damaged/destroyed, the operating airfield itself was not.) It was the most destructive single storm ever to occur in Connecticut, a distinction it still holds to date. It still ranks as the ninth most costly tornado in U.S. history(Update: 5/20/13 Moore, OK 'F5' tornado may likely move it down the (awful) list...6/1/13 El Reno, OK EF5 tornado, unfortunately as well...))
(Continuing:) A rare event for the region, especially in October. (And by the way, I'm told that snow was reported barely a week later that year at the same location...)

A couple of questions pertaining to the ABBA flight come to mind:

Question #1: Were there other strong storms in the area that afternoon, and around what times? Per page 1665 of the A.M.S. article (cited below), this answer appears to be a "yes"; with damaging winds, etc. in the Boston, MA area (from different storms vs. Windsor Locks) before 5pm (local time), and progressing through the area until at least 6pm.

Question #1a: Even if the ABBA jet wasn't involved with it as it became tornadic, did they possibly encounter the dangerous storm cluster beforehand, as it moved northward through the Connecticut River valley? (Pls.see below for a couple of "educated" guesses.)

Related info.: Here's a recent link to a 1985 TV interview where Ms. Fältskog briefly talks about her experience. (And adds interesting comments about flying in general, watching from the cockpit, etc.) Updated note (per below): In the more complete translation of her comments featured in a newer YouTube show upload (comments after about the 11:30 mark), it sounds as though Agnetha is referring to a planned landing at a Boston airport. Off-site link, new window opens: https://www.youtube.com/watch?v=ibAJ88WD1jw 


At any rate, we may never know exact answers, especially to the second question. However, in 1987 a detailed, American Meteorological Society (AMS) journal article was published about the '79 Windsor Locks tornado.
As I have more than a passing interest in severe weather phenomenon, etc.,
I'll be studying this article for more information. Any interesting findings will be added below. Please note that the professional AMS article is much more comprehensive and detailed than my analysis, which follows.  
(Riley, G.T., and L.F. Bosart, 1987: The Windsor Locks, Connecticut Tornado of 3 October 1979: An Analysis of an Intermittent Severe Weather Event. Mon. Wea. Rev., 115, 1655–1677.)



The first such item is a significant illustration from the article (Fig. 22. pg. 1669, bottom left, PDF document), showing one set of unusually moving ("left-moving") thunderstorm cells from that day; (one of ) which eventually became tornadic at Windsor Locks.



This image is in the public domain because it contains materials that originally came from the U.S. National Oceanic and Atmospheric Administration, taken or made during the course of an employee's official duties


Though I lack key information (e.g., the ABBA jet's departure time from NYC), perhaps a bit of "mostly-informed" analysis can still be attempted.  If interested please read on. As will be seen, the ABBA plane may have come close to a very "nasty" storm:


In part based upon Mr. Palm's description of the flight (noted above), and also based upon my own reading of the AMS article (cited); we probably know the following: 1.) The 10/3/79 ABBA concert in Boston was apparently scheduled for 8pm, EDT. 2.) Per the AMS article, a "short squall line" (of storms) was developing in southwestern Connecticut (north of New York City (NYC)), about 1:30pm, EDT. (Pls. see figure 20, page 1668 in the AMS article, PDF document. Local (10/3/79) time assumed as Eastern Daylight Time.) Note: The AMS report employs UTC time including in published figures. Link to a UTC conversion chart (I'm using the EDST column). 3.) Again per the AMS article, another set of storm cells rapidly tracked northward from the ocean south of Long Island (east of NYC) and up through Connecticut (CT), between about 12 noon and 3pm, EDT. Pls. see figure 22, above. Per the article, these (unusually) northward-moving storms (with heightened cloud tops) merged with the other (northeastward moving) storm cells (from southwestern CT), "after"  2pm. (Pgs. 1664-5, 1674.) 4.) The Windsor Locks tornado began (on the ground) just around 3pm (EDT). (From a "prominent" mesocyclone showing cloud tops in excess of 42000 feet. (Pgs. 1655, 1665.)  Downburst winds were reported from at least one nearby community in association with the tornado. The dangerous storm cell(s) continued on into central Massachusetts - quickly becoming non-tornadic - and dissipated by around 5pm (pg.1665).). 5.) Yet other strong thunderstorms developed (eastward) in the Rhode Island/southeast Massachusetts, then Boston areas; starting after 4pm (EDT) and progressing until the 6pm hour (through Boston). (Pls. see Figure 20 and pg. 1665 in the AMS article. PDF document.))
6.) The ABBA plane apparently turned back toward New York once, then turned again back toward Boston. (From Mr. Palm's account.)

In sum: Clusters of strong storms were in progress/developing north and east of NYC (i.e., along or near the ABBA plane's likely flight path), around 1:30-2pm, EDT. (And after.)

(I am not a meteorologist, so please consult the cited, professional AMS article for greater detail. If interested, my cursory interpretation of some of this article's findings indicates that a key (atmospheric) factor (of several) in formation of the (eventually) tornadic storm at Windsor Locks was (later determined to be): The "intersection" of an advancing cool "pocket" of air aloft with "a tongue" of warm, moist, unstable air present in the Connecticut River valley (pg. 1675). )

Continuing: Assuming that the ABBA jet intended to fly a fairly direct route from New York to Boston (a reasonable assumption, though a central one), what time might it have left NYC to reach Boston? Since the flight took off at all, another assumption is that severe weather warnings were not out (yet) or available for its planned flight path. Though a few storms were already developing in areas around NYC after 1pm (see figure 20).

The ABBA plane reportedly carried other ABBA entourage personnel (i.e., besides Ms. Fältskog). So, if the Boston show was to start at about 8pm, a guess is that the ABBA personnel would perhaps want to be on the ground there at least three or so hours prior to the show, for various preparations. I don't know this, of course. It is a guess. And a significant assumption. Mr. Palm's account confirms that it was an afternoon flight, though.

Looking at commercial jet flight times (today), it takes about one hour and ten or so minutes to fly from New York's JFK airport to Boston's Logan. The ABBA plane was a small, private jet (per Mr. Palm's account). So it might have been able to fly the route faster, but perhaps not by a significant amount.

Under normal circumstances, if ABBA intended to reach Boston, say, between 4 and 5pm local time they would have needed to depart from New York sometime between about 2:45-55pm and 3:45-55pm. Given the approximate times of storms noted above, and Mr. Palm's account indicating that "the airfield... ["....of their designated airport..." (emphasis added)]...had been completely obliterated by the tornado...." (page 414); here are some of my interpretations:

1) It remains in question where ABBA's flight was originally intended to land. (I.e., Boston's Logan airport, or Connecticut's Bradley airport (in Windsor Locks, CT).) Other accounts I've viewed, including Ms.Fältskog's above also employ words like obliterated and "vanished" to describe what seems to be a destination airport. Knowing the originally intended landing airport is key, as we'll see. Update: Per the better-translated YT interview linked above it seems more likely that the destination airport was in Boston... 
2) If the original destination was Boston, given the approximate storm times and locations noted above, plus my suggested NYC departure time "window" (above), the ABBA flight missed the Windsor Locks storm cell at its most dangerous, but likely encountered other strong storms that were nearing Boston around 4pm (and afterward, until 6pm). 3) If the original landing destination was Windsor Locks, with a subsequent car trip of at least an hour or so to Boston, ABBA's plane would have possibly left NYC about one hour earlier than the above-suggested time window. (According to current commercial flight info. it still takes about an hour to fly from New York to Windsor Locks.) To get into Boston by 5pm, via Windsor Locks, ABBA's plane would need to be on the ground there by no later than 3:45pm.  (Leaving NYC by around 2:45-55pm.) This scenario again appears to have them missing the tornadic storm cell, but obviously (would have been) affected by its aftermath. If they wanted to be on the ground somewhat earlier (say, 3pm at W. Locks, which would mean about a 2pm or slightly later NYC departure), they would clearly have come much closer to encountering the dangerous storm(s).(I.e., storms were progressing in the Connecticut River valley after about 1:30-2pm. See more, below.) 4) Another scenario that I can think of (given what we know, and the 2:45-3:45 pm possible NYC departure) would be that Boston was ABBA's original landing destination, but they then attempted to choose Windsor Locks as an alternate, when learning of/encountering bad weather after they were in the air (from NYC). However, this scenario doesn't seem accurate, per Mr. Palm's account (pg. 414). He writes that: "...the plane was unable to land at their designated airport...The airfield had been completely obliterated by the tornado, and the pilot decided to turn back to New York." From Mr. Palm, we also know that they then turned around again, though we don't know how much time this took. With Bradley Airport "out", it would appear that the ABBA jet continued onward toward Boston, only to apparently be affected by another, separate "set" of strong storms nearing that city. Their plane circled (per page 415) and was eventually forced to land in Manchester, NH (north of Boston).

So the answer to my second question, above, depends upon a couple of pieces of information that I don't have. But, as it's reported that their pilot heard of the problem at Windsor Locks in advance and (initially) turned back, it seems that ABBA's jet perhaps did not directly encounter the storm cluster which produced a tornado at Windsor Locks. (Though it could have come close.)

Since we have incomplete information, however, I'll add another point (picking up on a scenario from above):  5) Interpreting figure 22, etc. from the AMS article, if the ABBA plane departed NYC somewhat earlier than the "window" surmised above; e.g., after approximately 1:15pm to about 2:15pm that afternoon, they would likely have come much closer to/encountered the unusually moving storm cells (which eventually produced the tornado). That is.... if they planned a mainly direct flight route. And such a "close encounter" seems likely (in this "earlier" departure scenario), whether Boston or Windsor Locks was their landing destination. I.e., either (direct) route would probably have flown a portion over the Connecticut River valley, where storms were  present/merging/moving northward (after about 1:30pm). Learning when the ABBA jet departed, and how long the plane was in the air prior to hearing(?) about the dangerous Windsor Locks situation is key to further analysis of this earlier-departure scenario.

That (mercifully?) completes my amateur analysis of the very unusual weather that the ABBA jet could have been near, during the afternoon of October 3, 1979. Though I'm not informed enough to draw firm conclusions, to me; all who were on that flight should feel relieved that they landed safely. And escaped greater disaster. Thirty years ago in New England, it clearly was an awful (weather) afternoon to be flying.

Legitimate comments/corrections are welcome. Thanks to all interested; and who read this far.....



Blog note: This post is backdated to better fit within the overall order of posts here. It's actual creation date is September, 2009.

P.S. A link to a recent local news story describing the tornado, from 30 years on: http://www.nbcconnecticut.com/news/local-beat/Remembering-The-Windsor-and-Windsor-Locks-Tornado-30-Years-Later-62410147.html

Link to my full blog: http://star4abba.blogspot.com/

Bosse Carlgren and Michael Tretow

I've learned much researching and creating this blog in a relatively short period, and I hope occasional readers will enjoy what's been published. But I know that I haven't come close to the complete story of ABBA and singer Agnetha Fältskog. (Pronounced [aŋˈneːta].) That's OK: A primary focus for the blog became listening to and examining Agnetha's special voice, and also her post-ABBA solo albums.
Thus; not being an expert, I'll defer to others who are. No effort about Ms. Fältskog's music career would be complete without some mention of lyricist Bosse Carlgren and technical "wizard", a/k/a producer/audio engineer, Michael Tretow.


For those interested, an excellent interview with Bosse Carlgren was conducted in 1998 by American Jeffrey de Hart. It tells much about working with Agnetha, writing lyrics, Michael Tretow's important role, and much more.

Here is a link to that interview, functioning as of 12/09. Please right-click for a new window, and come back when done. Thank you.  Link: http://www.carlgrens.info/htmlfiles/lyricsfiles/jefffey4th.htm 




Old image (1966) from Google/LIFE archives:" Singer/actress Barbra Streisand at 6 a.m., covered w. her silver fox fur coat as she listens intently to the playback of her recordings of an album of French songs in the control booth of a recording studio."


Note: This post is backdated to better conform with the order of entries here. It's creation date is December, 2009. 


Link to my full blog: http://star4abba.blogspot.com/  

Thursday, May 7, 2009

Capable Agnetha: Effortless efforts

© 2009-2010 (original portions)

As noted several times here and elsewhere, ABBA's producers regularly "pushed" their two singers' limits. If this blog is read at all, the group gained some excellent results from that hard work.

Sometimes I think that ABBA stretched soprano Agnetha Fältskog's vocal limits, though she possessed quite a range. [aŋˈneːta]

That is one reason why I enjoy Agnetha's post-ABBA, English solo albums. Though she's at her most affecting (for me) when she "packs" her pure voice with emotion (linked example here, also), her (often) more relaxed, better-slotted solo efforts are enjoyable as well.

FWIW, I select a few of my own favorite solo songs from Ms. Fältskog in this post (link). Here are a couple of others however, which -- though not worldwide hits -- perhaps show how easily she could "knock off" a pleasant-sounding effort. And please don't discount that.  IMO, some of the substitutable, dancing exhibitionist "singers" of today would do anything to (be able to) sound like the Swedish star. Give me euphonious Agnetha any day, please. (Pls. also see the end of this post, however....)

As I think many fans  - old and new - realize; a voice and videogenic presence to be cherished. (Both ABBA singers, in fact.)

(This super-pleasant first one I believe is actually pre-ABBA. Thanks to YT's "ji61m" for the song post:)



Links to a couple of other seemingly "effortless", but good solo songs:

http://www.youtube.com/watch?v=LOJH7EYqJ9Y&fmt=18

http://www.youtube.com/watch?v=-j-MkNGv4BA&feature=related

An old one, but nice:  http://www.youtube.com/watch?v=sKKNTUProaM&fmt=18


P.S. As many know, one particular, current female recording artist - almost the exact opposite of Agnetha in several ways - still has a chance to be great. If she doesn't throw it all away: (YT link) https://www.youtube.com/watch?v=qP_gCSBZXi0

2010 update: Here's another possibility. Not familiar with this singer, but I like what I've heard so far: Imelda May at the 2010 Grammys (link) 

And, FWIW: I have respect for this popular artist, who paid some dues (even though very young) on the way to where she is today. Just wish she would sing more (she's capable of doing that) and "style" (e.g., talk,"rap", chant, use an affected voice) less (much). (But I'm old.)Lady Gaga is a "performance artist" however. Being "just a singer" (even if you're one of the few who can actually do that) has been so over for sooo long....to the general detriment of popular music.

2011 update: FWIW, like many others, I'm increasingly enjoying some of Lady Gaga's pop music creations, and the performer/person herself....


(Link to one YT video:)
http://www.youtube.com/watch?v=qrO4YZeyl0I

Blog note: This entry is backdated to better fit within the order of posts here.

Link to full blog: http://star4abba.blogspot.com/

Three excellent forum posts re Agnetha's voice

© 2009-2014 (original portions only)

"...music, the most ineffable of all the arts." -- from several individuals, including this outstanding conductor.


Though many in the United States did not follow them when ABBA was performing -- or after -- that's not true for much of the rest of the world. (Many (others) in the large,diverse-market U.S. did follow, of course...)
One ongoing example: The excellent "abba4ever forum"(http://www.iphpbb.com/board/fs-30652567nx61610.html) features knowledgeable and experienced fans from all over the world.

"Agnetha's voice is angelic" is a (forum) comment (that I've) seen many times, and it succinctly sums up ex-ABBA singer Agnetha Fältskog's voice for many. (Pronounced [aŋˈneːta]. Here is a short, funny video...)
But fully describing something special is not often quick or easy. Looking over the posts included in this blog on the subject, several adjectives are employed to attempt description (for Ms. Fältskog's voice):
'Crystal-clear' (link, one example) and 'sweet' are invoked the most. Add 'bright' (very...). Feeling. (Or, 'emotion-packed' (at times).)  Plaintive (link is to one stellar example). Euphonious. Feminine. Sultry at times. Youthful-sounding. (Which may go along with clear and 'bright'...)
Also, brilliance, a noun and a vocal resonation/music expression term. (Or: brilliant (as an adjective; meaning #4). I'd bet Agnetha would enjoy that descriptor (in general)... ) And, a word or 'label' that's often overused (in general): Unique. Along with others familiar with her pristine voice, somehow I can immediately discern that the singer is Agnetha. 

The talented singer invokes quite a few, different adjectives. But if you wanted to ask this listener to succinctly describe Ms. Fältskog's voice/singing (not easily done), I'd offer these few descriptive phrases: Sweet (i.e., as in a sugar-sweet "overlay", or finish (at times)).... and bright. And, sweet and clear. Sweet and plaintive. Sweet and rangy. Sweet and with-a-smile-warmth (at times). (Another good, linked sample...) Sweet and....

Seeing a common "denominator" ....?

(Many to choose from, but one very good sweetness example (Swedish) is linked here. (Opens a new window:) http://www.youtube.com/watch?v=MG4zeI-yPeg&fmt=18

Update: Though clear and crisp, the artist's singing (also) features nuanced subtleties as well. Agnetha was generally not a "belter".  (Aside: But how she produced her strong, "sharp-but-appealing-yell" backing vocals in ABBA's "Money Money Money", for example; I do not know. That one's nearly well-modulated screaming at moments (in the refrain)....)
It (therefore) often takes a few listens (via headphones) to hear various aspects of Ms.Fältskog's efforts, completely. One of many examples: This older song (in Swedish, link follows) displays a crisp and/or "metallic" quality in (or "around") her voice at times - which she beautifully softens at other points (in the song). She's unfailingly diligent with accenting appropriate syllables within lyrics, in general. (Although I don't know much Swedish.)  In-studio Agnetha is consistently "on" each music note, precisely.  
How she "infuses" that voice with incredible sweetness....is your guess: http://www.youtube.com/watch?v=LiQkfs6WMRQ&fmt=18

(A quick, subjective aside:  Even Agnetha's speaking voice can be musical. Two linked samples: One where the singer briefly speaks, and another where she sings in a narrative style. Links are here (YT video now DELETED), and here . Note via the first link how her speaking voice seems to have two main components: A higher, musical/sweet quality, but also a prominent lower, resonant one as well. (There may have been some technical enhancement in this (TV show) example.) Remarkable.... Update: Another great example - both speaking and singing - is linked here. (It's from a 1976 Swedish radio broadcast. The ABBA demo song is 'Monsieur, Monsiuer'. (Update: *The original YouTube posting (for the old broadcast) is now gone. Another copy is available via the link (above)..... BTW, this site (link) also makes note of this particular interview/Agnetha's voice.)  Note the seemingly more open, un-guarded Agnetha, using her native language.... and the resonance in her speaking voice here. Contrasting to her sweet, high soprano voice in the accompanying song...)

Enough of my "take": The following three forum posts further describe special qualities of Agnetha Fältskog's voice, nicely. Excerpts are copied below: (Emphasis added by me.)


(Was she a siren'? (Definition 2.)    Photo: Agnetha Fältskog, ABBA, Ekeberghallen, Oslo, Norway, January 28th 1977. Author: Helge Øverås)

From forum member "Ainsley", posted on 9/7/09: "Agnetha? One can talk about range and accuracy, but these attributes no more define a great vocalist than a guitarist's ability to play fast makes them a great guitarist. It's about their innate tone, expression, interpretation and that certain little "something". Agnetha has these qualities in spades. Most modern vocalists seem interchangeable to me. I think they could well be made in a light engineering factory somewhere in L.A! (Don't even get me on to the subject of their cringeworthy "pole-dancing audition" style videos!....)"

And, from forum admin. "Johnny59" (8/24/09): (The excerpt is linked to his more complete, insightful article on his web site.)
"It’s the mysterious and wondrous magic of her voice. You fall in love with her voice. Not all people do that, and those who won’t, only will be able to see a talented singer, a blond cutie or even just a pin-up icon. But those who ever did, those who ever fell in love with that voice, never will shake loose again. They’ll be hooked for the rest of their life. It´s an addiction, but it´s a wonderful addiction."

And, from forum member "drimnagh"(8/25/09): "Being as objective as possible, one of the things I've noticed is that Agnetha's voice is often described as plaintive, etc and then there's the famous 'crying with her voice' adjective which is all true and great but one of the qualities which is mentioned much less often is the sheer punchy POWER in her voice when she chooses to 'belt' it out- I love this aspect of her voice and I wish she'd used it a little more often as it really packs a punch..." (Blogger note: What is this commenter referring to about "crying with her voice"? Agnetha produced a number of examples of that, but here is a YouTube link to (what I think is) one sample, within an ABBA song. (If possible, focus upon the higher-voiced singer, though it seems both ABBA vocalists are to varying degrees producing this effect.)) : (link) http://www.youtube.com/watch?fmt=18&gl=GB&hl=en-GB&v=Os_bSwg02J4
 
See? I'm not alone - even here in the U.S.

Update: Linking another great observation from Mr. Chris Tarrant, English broadcaster from that nation's recent, ITV ABBA TV special. Enjoy this "deep link' to a current YouTube segment on ABBA's 'SOS' (from the 2010 show). (And I'm certain Mr. Tarrant meant "hair standing up" ( re effect of Agnetha's voice) in the "good" way....) Agnetha's exquisite song-opening lead vocal/video presentation...

And one more great quotation:  According to another forum poster ("PFQ"), Agnetha author Brita Ahman described the singer's voice as "a golden thread" running through ABBA's recordings. 
I'd expand the (likely) intended meaning of "golden" here to (also) acknowledge the metallic quality that Agnetha's voice could feature, especially with ABBA. (Agnetha solo song example of this quality is linked here. It is present at moments here as well (link).) 11/09 update: I hope it's an allowable excerpt, but here is the paragraph that follows the above, from Ms. Ahman in the 1996 "As I Am" biography (page 127). Best paragraph in the book, IMO. (Re Agnetha's voice:)

"She has a very wide register and range. Occasionally, there's a kind of vulnerability in her tone, an exposed surface, which means that on some songs she hits people right in the gut. Her voice is a kind of portrait of herself."
The 1996 bio has its flaws but that is a superb description....

(And; pressing on with my own little figure of speech from above: That voice might perhaps be a "metallic-framed" 'portrait',in some instances....)

There's much more about the artist's special voice in this blog, including a few 'technical' details, beginning here (link): http://star4abba.blogspot.com/2009/06/agnethas-best-voice-one-way-love.html  


Also, a link to a YouTube playlist (unofficial) with sample songs from Agnetha Fältskog's solo career: http://www.youtube.com/view_play_list?p=F1E367911859E577
 

Blog note: This blog entry is backdated to better fit within the order of posts here. It's actual creation date is 10/21/09. Last edited/updated, 2010.

Link to my full blog: http://star4abba.blogspot.com/