(Blogger note: Except for 2013-14 updates below, much of this website was written between 2009-11. Reader notice: All 'abba4ever' forum hyperlinks (within the blog's text) are defunct. (Forum has closed.))
Showing posts with label Carl Magnus Palm. Show all posts
Showing posts with label Carl Magnus Palm. Show all posts

Monday, April 5, 2010

A stopping place for now: 'Agnetha/ABBA, Belatedly'

© 2009-2011 (original portions only)

This, from an older-but-wiser geezer whose spot was once the old Cleveland Agora (USA); a venue that a '70s pop band (not named The Raspberries) possibly would not have survived:

After many years of ignoring them it's been an enjoyable (and ironic) experience to "discover" 'supergroup' ABBA, and reluctant star Agnetha Fältskog [aŋˈneːta]. (Pictured/link. Also credit to Mr. Palm (see below), for that descriptor of Ms. Fältskog.) Surprise (U.S. rock fans...(of a 'certain age')):They were excellent at their craft.  I hope those who stumble upon this informal site will (also) find interest in some of the learning that's occurred....  (I know that many of you have also 're-discovered' Agnetha/ABBA...) Please make use of the index of topics/labels located below on the right sidebar.  This blog is - for the most part - music-focused.               (Photo (also a link to an indelible performance) : Agnetha Fältskog, ABBA, Ekeberghallen, Oslo, Norway, January 28th 1977. Author: Helge Øverås. No website endorsement implied.)

Blog navigation note/hint: No time right now?? Please start here with this "salient points", condensed blog summary (link).

A listeners' review of Agnetha's post-ABBA recordings (link)  - though incomplete - is worth a look to see if you agree with its selections and perceptions. Note: Includes an updated Agnetha 'top ten' listing. Agnetha's special voice? Independent, music-detail insights about it are here. And, please try these three posts for a little broader perspective (i.e., they are not only about Ms. Fältskog.  Research about ABBA's 1979 stormy Boston concert flight is included.) Links: Here, here and here.

If there's an overarching point via the (belated) discoveries detailed here, it's simply this: Ms. Fältskog can sing. (Despite some retro-star-power-induced detours nearing "the deep end" in this blog ("actuated by" Agnetha's published efforts - years later - evidence of a true star....);that is really what this written effort is about. (Her singing.))An extraordinary pop voice: Crystal-clear, sweet and expressive. Per much that's asserted in this blog; her voice inside your head(phones): A pleasure. (Link is to an individual YouTube song tribute from aficionado '2Shaymcn'. (Videos from that YT site are linked here with permission.)
 ...Combine with the 'element' of heavenly female beauty ..and to some (at least); a captivating delight (link). Though her in-English work is in the past now, she is well worth a (re-)visit --in any form: "Smiling sensation" Agnetha (at her utmost) is more discoverable than ever via "time machine", You Tube.

(Insert...) 2014: And yes BTW, (rightly or not) I do feel slightly 'flattered' when Agnetha/ABBA official websites (etc.) occasionally re-use descriptive words such as 'aficionado' and 'siren'......Employed by this tiny blog (years ago).(Screen-cap image/example follows:)




(Continuing previously written text:)Necessary to know, up-front: Both ABBA singers together were essential for that band's success. No Frida and Agnetha = No ABBA. For many, the presentation (singing, etc.) of ABBA's songs was equally as important as the exceptional writing, producing. (A YT link to one fantastic (performing) example...)  (Update:) Easy prediction: In the popular music sphere I believe that these two ladies will be revered (more revered or acclaimed) for years to come. They were that special, together ...One sample link here to a beautiful ABBA ballad, featuring Frida's stellar lead...). Related: Singing with/skillfully harmonizing with other singers was clearly a major strength forMs. Fältskog(the main focus here; solo work). A sample link to one appealing post-ABBA example. (And another: A not-well-known one (during her ABBA days), from Sweden (link).Another lesser-known favorite....ooops, Not hers??) More: A much-too-cursory Frida appreciation is included here. (A beautiful recent, published picture of Frida is linked here.)   
And please see the end of this post for a 'bonus quotation' that nicely describes the two voices of ABBA. 
http://homepage.ntlworld.com/nytorp/images/agfrconc2.jpg
(Nope: In case it's not obvious, I'm
not associated in any way with
 ABBA, Ms. Fältskog or their record companies.If you find that you're not convinced of certain findings here, pls. try some available videos on You Tube for a mesmerizing sample (Ms. Fältskog, solo). And consider what present-day viewers there are saying. Or: Why not read on in this blog and enjoy the many included links....Most of us will never meet the Swedish singer, but this effort may be a good way to learn much via her music. Plus the mere fact that a number of unofficial 'appreciations' or tributes have been independently created on-line (in several locations): A tremendous compliment to this performer. (And those similarly created for other ABBA members, the band itself, etc.)

(Continuing:) From not even knowing the names of ABBA's members and only a few of their hit songs (like many people in the U.S.), it's been good to gain a richer appreciation of the "mega" pop group and those associated. With millions of others I'll be enjoying recordings, etc. of the band, and especially from Ms. Fältskog. (Aside: None of it is Mozart, nor opera singing....But ABBA understood that.) Plus, of course the numerous, well-done tributes etc. on You Tube.... which seem to expand by the week. (And huge ABBA fan Sen. John McCain may unleash an impromptu karaoke retrospective at any moment, as we all know. Don't get me going re Vladimir Putin....Update: Or, NYC mayor Michael Bloomberg...?) ABBA exemplifies something not all too readily done, done very, very well. It is difficult not to respect and admire that....(Celebrated actress/voice artist Joanna Lumley says it succinctly with this recent quotation, displayed here (link). And as some YouTube commenters currently like to "get a little stupid" (and write underneath ABBA videos (for example)): "I'm an unborn fetus ....and I LOVE ABBA." ...)

Stop: BTW, is this blog (you're reading) one guy's way-late "head trip" (mainly) about a singularly talented, 1970's/80's Swedish singer?? (A performer with enough 'star-power' to motivate (inspire) this unprecedented effort (for me.) Answer: Possibly YES, at moments. (Don't think I was quite at this point, though (link).) However please read on, as you may well find that it's worth the trip back....Agnetha's appealing pop voice is reason enough.
(An appropriate ABBA song (title) for this 'trip'?? (Link, new window.) The two ABBA singers together: A dream, always...)


({{Information |Description={{sv|1=Sportpalatset på Kungsholmen i Stockholm}} |Source=Uppladdarens egna verk (uploader's own work) |Author=Holger.Ellgaard |Date=2008 |Permission=yes |other_versions= }} 

As noted here and elsewhere, Carl Magnus Palm has written the definitive ABBA biography to date: Bright Lights, Dark Shadows. If you haven't yet done so please consider reading it especially if you're an ABBA or Agnetha fan. It is well-researched and very detailed. Also, if you want to know what was being written -- factually and otherwise -- about all ABBA members during their peak years, an excellent web site has quite a collection for you: http://abbaarticles.blogspot.com/
Some stories are largely made-up or just tabloid trash, but ABBA members did talk frequently and could be candid. In fact, though some publications unfavorably label Ms.Fältskog to be reclusive, uncooperative, etc., the truth is that she has spoken candidly with selected sources over many years. (See a few of the articles linked above.) This lengthy and detailed blog being read right now is completely based upon the singer's available public interviews, biography, published music, etc. The artist is generally publicity-shy (or was; pls. see 'late 2010 update' near the end of this post), but there is hardly a lack of information from/about the public Agnetha. (Just one example: A charming and candid short interview from 1981, via this 'ABBA4EVER' link (new window).

 ABBA has moved on and it's time for me to do so as well. I'll add more to the blog perhaps if an event of significance occurs (with the group or members) . But please check back for ongoing updates, enhancements and additions to the current entries. If you read something here, please leave a civil comment (if you'd like) as I'll continue to be able to view them. FWIW, all original entries here are copyrighted. Thank you.

A closing word (or two) about talented Agnetha Fältskog, who -- along with many other fans -- I've quickly come to admire. (For reasons detailed above and elsewhere. There may be millions of us (Agnetha fans)...clearly we all have good acumen, perception, etc....) 1) I hope proper recognition for the key contributions made to ABBA by both fronting ladies will be forthcoming. (I.e., Anni-Frid Lyngstad and Agnetha.) Both were essential to the group's great success, and their voices together were something like pop music magic, in my view. (Ref. this interesting forum discussion about the "third voice" that sometimes emerged. As also noted previously; rich-voiced, rock-solid Frida "carried it" on numerous ABBA songs; Agnetha more the dramatic accent. "Money Money Money"; one example.) Note: Volume is high on the following. Actually both vocalists are pretty impressive in this ABBA song/video version (mimed here; more about its singing linked here), which somehow magnifies Agnetha's high-note contributions...Plus: An even better song featuring the singers at their best together follows via this post.


(YT video link)
In other words they were attractive ladies who could sing, and sing well together. Not all that common of a combination, judging by how very few true "successors" (none?) have appeared in popular music since. They were hardly just "a couple of decorative Swedish babes", as a few (especially around these parts) may have once thought. To me, it is not going too far overboard to claim the two women together at their peak as one of the miracles of latter-20th-century pop music. (Yes, there were a few...(another) (+ another). A different one (link).)  E.g., Please enjoy this available YT performance (link) and tell me that it was not. (Ms. Fältskog especially, that time.) And if interested (ladies/vocalists): Try to (truly) match DQ's singing on your own/via karaoke. You'll likely find yourself impressed with A and A's effort...


A petition for overdue ABBA induction to the "Rock and Roll Hall of Fame" is here. Remember: The Bee Gees, Madonna, Dave Clark Five and other pop-oriented acts are already there. (And per the comment received below, it is appropriate to question that entity's validity, purpose, etc. ABBA is a 2002 Vocal Group Hall of Fame inductee.) 9/09 UPDATE: Click  for news of 2010 "Rock Hall" nominees. And know it right here, first: ABBA is IN in 2010. So many lesser acts have been inducted,  I don't see how the enduring pop 'supergroup' can be kept out of the Hall any longer....Vote in and follow a current poll for 2010 nominees, here. 12/09/09 update: Rumors are circulating today that ABBA will indeed be inducted in March, 2010. 12/15/09: Congratulations to ABBA and all associated. Long overdue....
A link to a 12/09 post about the announced induction (from this blog's perspective) is here.

2) Ms. Fältskog's clear, sweet voice, packed with emotion at times; is a gift. (Which also seems perpetually youthful-sounding at times, but there's more to it than that.) If not already underway, I predict a revival (or kindling) of interest and appreciation for this underrated singer's work. (Beyond that of the various Agnetha imitators in "ABBA" redux shows. They're fine in some cases, but no one has the original singer's distinct voice.) In the big-market United States, my continuing impression is that (the real) Agnetha remains sketchily known. (I don't think for a second that this matters any more to the successful artist. And she, of course, remains very popular in home Sweden and elsewhere. Also, a mention that in some (homophobe?) corners of the U.S., ABBA music, etc. is still disdained, per (supposed) popular appeal in the gay community (pages 501-2). I don't condone that but, at any rate.... At my age I chart my own path (heteros were attracted to the ABBA ladies ,too), and am mature enough to enjoy ABBA's qualities now, "bias-free".(Though definitely a "slow learner" ..... Brain-free too??: Follow this link for a tiny farce.)

As the private lady approaches her 60th birthday, it's a question as to whether we'll hear Ms. Fältskog again in English. Sixty isn't so old (to some of us) but Agnetha's pretty much gone her own way after ABBA, so only she knows for sure/controls her destiny. But if her special voice remains intact it would be a loss not to hear it recorded in some way, at least one more time.(E.g., A link to a story about a great pop singer still "remarkably fresh"-voiced at age 67: http://www.nytimes.com/2009/09/27/arts/music/27tomm.html?pagewanted=1&_r=1&em)

Per the following quotation in Mr. Palm's book (2008 edition), Agnetha responded in 2004 -- at least in part -- to fans imploring her to record again. Putting together an album is not easy, but if you happen to agree with me about her pure, feminine voice, perhaps consider writing a polite request to her record company. This website has an excellent article that might assist with that: http://www.agnetha-forever.de/ChangeLog/Write/write.html
Maybe a single-song duet or something like that is still in the realm of possibility....

Agnetha Fältskog from 2004 (re "My Colouring Book"), as quoted on page 539, "Bright Lights, Dark Shadows", C.M. Palm, author. (Short passages used with permission.) :


"I get a lot of fan mail from all around the world, and it's fantastic to hear that they like my music so much and want to know what I have been doing, and that they really love and miss my voice. It affected me so much, that's when the idea came up in my head maybe I should do another record."

There may have also been other reasons, but still, that was a nice one....

(More "nice lady": A link from the excellent http://www.agnetha-forever.de site to liner notes from Agnetha's 2008 compilation album, "My Very Best": http://www.agnetha-forever.de/ChangeLog/myverybest/myverybest.html  )


Whatever happens let's hope that this underprized singing star enjoys peace and satisfaction, and whatever else she wishes. My impression is that Agnetha remains a private person, quite settled with family, etc. now. As written (perhaps with a touch of envy and/or wistfulness; but not necessarily untruthfully) here: "...she’s mostly kept the silence of someone who’s conquered the world already." (Or, at least as much of it as desired(!).)  Late 2010 update: Or....perhaps NOT. Ms. Fältskog surprises with a number of recent public appearances plus a photo 'spread'/story in Sweden's (glossy) 'M-magazine'. Link to a translation (English) (incl. photos) from Mikory's ABBA blog. Agnetha's even reportedly doing some flying again, and sings a little "by the piano" (and plays). If one reads "between the lines" a bit in this interview, though, it mostly sounds like the lady may be retired now, professionally. (As written just above, here.) The prolific recording artist has earned that, or whatever she wants. But, Ms. Fältskog didn't completely "close the door"....
More: FWIW; possibly as a revealing  "glimpse inside", the Swedish star once wrote at the end of her 1996 As I Am biography that she had not "closed any doors". But also that: "...It would be horrible to be compelled to live up to world-wide expectations, to the money, or to what other people expect of you." (Page 149)

(Continuing previous text:) Agnetha has (also reportedly) said that she did not aim to be "worshiped by loads of people". 

"Thy voice is music..." — Shakespeare, Henry V, V-ii   (Ed. note: No...other parts of this quotation do not apply.)


(Agnetha Fältskog. Author: Daniel Åhs Karlsson, 4/7-2008. This file is licensed under the Creative Commons Attribution 3.0 Unported License. In short: you are free to distribute and modify the file as long as you attribute its author(s) or licensor(s). Its use is in no way an endorsement of this website...)

One telling, final note, from the 2008 afterward of C.M. Palm's "Bright Lights, Dark Shadows" (page 540):

Re Agnetha in 2004 (and beyond), after releasing "My Colouring Book":

"After one final lengthy Swedish television interview towards the end of the year, Agnetha once again stepped back from the media spotlight. It seems unlikely there will ever be a follow-up album, although she didn't rule out the possibility, hinting that it might be a Swedish-language-release that would "end my career as I started it"."

 A 'bonus' quotation: I'm taking the liberty of including one special paragraph from Christopher Patrick's excellent book, ABBA: Let The Music Speak. A stellar description (page 142):
"Between them, Agnetha and Frida had a dazzling array of vocal colours that would rival any artist's palette, and these were blended with astonishing results. Every now and then in their extraordinary unison world, one singer would change tint ever so slightly, adding yet another gorgeous hue to the spectrum."

(Blog note: The last edit to this post was on March, 2012.)

Link to my full blog: http://star4abba.blogspot.com/


Thursday, May 21, 2009

Agnetha: What happened? My summary post, to date

© 2009-2014 (original portions only). Please contact the writer for permissions (pls. ref. the bottom of the page).

Answers: We only have 'glimpses'. And also, perhaps: Mostly nothing unusual.

(7/09 blogger update: Unfortunately, my recent reading of C.M. Palm's ABBA biography ("Bright Lights, Dark Shadows") may have exposed part of that answer line (above) as being overly optimistic. If interested, please see pages 512-13 and 523-25 of that detailed book.)

Updated note: This post was written awhile ago (2009-10). It may be beneficial to also read this later entry (link, new window), for a more up-to-date summary. Plus: Agnetha is recording again! (link)

(Continuing previously written text:) I'm not going to be (more?) rude and endlessly speculate....beyond what I have already (link). At this late date, I can't (and won't) "cover" Ms. Fältskog and her extensive career as completely as several others have over the decades. Mr. Palm's ABBA biography and some good "Agnetha" web sites should be consulted for such in-depth work  (Two such web sites (links): "The Agnetha Fältskog Archives", and the official ABBA site, which has a number of excellent articles about the band and all of its members.)
As noted, mine is a belated, enthusiast's expression containing some newfound  "discoveries" and some newly-gained insights. It's completely unofficial, but may constitute an enjoyable experience for fans. 
BTW: Is this a "rogue blog"? Hah....hardly. It primarily focuses upon Ms. Fältskog's outstanding voice and her recorded work and appearances. There are a few details "discovered" in this tiny blog that haven't been explored thoroughly elsewhere. 

Please bear with me re this post. It is lengthy but there is much information presented (including linked info.).
New, 2009 update: I've finally obtained a copy of Ms. Fältskog's 1996 biography (with Brita Ahman), "As I Am". Though this effort was generally thought by critics to be not revealing enough (of Agnetha (pronounced [aŋˈneːta]), too selective in subject matter, etc.; it's only fair to give it a read. Though mine is just a personal "discovery" blog, I've written much here (about the singer) without it. I'm sure her book contains useful insights (for fans) and probably will challenge at least a couple of impressions I've obtained (through other research). Updated corrections, clarifications, etc. will follow my reading. 11/09 update: Here is a link to one of those; perhaps the best paragraph in that 1996 book. And, my reading of "As I Am" is now complete. A few corrections and updates have been added here, where appropriate. I believe that many of my independently-derived findings, etc. were confirmed/partly confirmed via the reading. As I Am generally did not offer prodigious detail, though it features frank and honest moments....Update: If interested, please take a quick look at this post (new window), which includes a couple of brief, revealing paragraphs from that biography.

Ultimately: There's only one person
who really knows and can tell us:



(Continuing on:) Also, a large part of any response to a "what happened" question is displayed via the photo, below. Agnetha's children: Eventually more important to her than career, awards, etc. The singer stepped back from the spotlight in the mid-1980's to raise them.

(Aside: The excellent "abba4ever" forum has a topic named "Pictures tell her feelings". A mother's love and pride are "written" all over Agnetha's face in this photo (below), n'est-ce pas?)
Image source (link). Daughter Linda is shown, from long ago.

(Another quick break for a "road map": Please be sure to enjoy my summary (i.e., what's been learned so far) near the end of this post. Supporting off-page links are in light-blue. (Note: You'll miss some enjoyable videos just below, but click here to jump directly to the summary section if you'd like...) And also don't miss the nice John Wetton story link (about Ms. Fältskog) near the end (below), along with a link to a charming, in-depth 1985 TV interview. (Almost a "this is your life" examination, as Agnetha says near the end of it.)

(Moving on:)
As noted many times here, a successful performer's on-stage persona can be much different than their private self.

That said: Please compare and contrast the following two video links. The first could be almost any music video/promotional performance from ABBA in the 1970s. I happened to choose this 1978 Dancing Queen, as both ladies are fantastic. (Yes, lip-syncing all the way here. Ms. Agnetha  [aŋˈneːta]: Was at her best with her dancing moves here. (Agnetha's got the moves down here, also (link); another 1976 Dancing Queen performance. Good job!)  (Continuing:) And perfect camera posing at around 2:15 in the video....a specialty of hers. (Even the (song's) lines Agnetha is singing at that point somehow seem fitting....Her moment might have been a pre-arranged close-up.)) They're acting, but both young ladies exude sexuality, charm, and confidence. As they both did in many of their video-ed performances from that time....On-stage: Excellent presenters and performers. (Must say: This (below) is just a great, mimed performance video of ABBA's pop mega-hit....Who wouldn't be captivated by it...?? Plus, I think the two ladies are competing (with each other) a bit...i.e., for the camera's/audience's attention.....A beautiful job. BTW: Christopher Patrick's ABBA: Let the Music Speak (pages 190-191, 226-227, etc.) has enlightening detail about the singing and structure of this great pop song (Dancing Queen). As Mr. Patrick notes: It is an "...epic vocal showcase..." (and more).)

Link to first (D.Q.) video (new window): http://www.youtube.com/watch?v=xtsbxGzRZWc

Update: Try this YT song link if the one above isn't there: https://www.youtube.com/watch?v=TzO2iXpD3-I&ab_channel=EduardoTenorio

'What the heck', while we're at it enjoy '2Shaymcn's' posted, live version of (ABBA's) 'D.Q.', from Sydney, 1977. For someone who indicated that she was occasionally uncomfortable on stage (live), Ms. "Dancing Queen" Fältskog seemed to have a very good time with this one. Particularly note excellent live singer/performer Frida though, leading the way with strong and confident singing. ('Mezzo' Frida finds those very low notes on (song words) "king", "dance", etc. Awesome.) Current link: http://www.youtube.com/watch?v=XaQpbL5arLA&fmt=18   Update: Video has been removed
(If you don't get a smile or something via this joyful (and skillful) live performance (from long ago), check your pulse...(To ensure there is one.))

ABBA Pictures Agnetha Fältskog

Shared via AddThis

(Continuing:) The second video link (it's located further below) is part 3 of a four-part (on You Tube), 40-minute interview done with Agnetha Fältskog by Lasse Bengtsson in late 2004. (Thank you very much to "JaniceHope" for posting. All four parts are worth watching, especially if you're an Agnetha/ABBA fan.) Note: This interview seems to be the more melancholy of two that are available from 2004. From You Tube, I'll insert a link (with English) to the other (brighter) one from that time: http://www.youtube.com/profile?user=Ljus85#p/u/25/rU6q9oim0h8Blogger update: Portions of this nice interview appear to have now been blocked on YouTube by record company WMG.  Thanks to YT user 'Ljus85' for the (currently) remaining (English) parts.
Another update: If not already seen, Agnetha fans will find it worthwhile to read this forum's translation (link, new window) of Agnetha's charming 2009 interview with Lotta Brome. Among other things it contains hints as to why Agnetha (and Frida) may be reluctant to record again. (I.e., they set (themselves) a 'high bar' with their work in the 1970s and '80s....)

((Continuing previous entry:) A good 'screen cap' from the brighter interview:)


My main point: It seems a long, LONG road from that dynamic on-stage young woman of the '70s to the one talking in 2004. (A smooth one? You can decide.) And that's about all that I can say. It HAS been a long period of time, of course. And Ms. Fältskog does graciously answer some questions in the interview (probing at times), about how she's been affected/how she's reacted to her experiences. (Some: Intense.) And recent years have featured at least occasional public appearances, and re-connecting with fans of her voice. (That video link for the Bengtsson interview is coming...further below in the text.)

(screen cap from YT (2004) Bengtsson interview video)


This will be it from me on this subject for awhile, as I've learned a lot in a short period, but will never know the real story only from videos and existing interviews. (And also believe I'm "wearing it out".) But I hope some will enjoy reading this unusual perspective -- though it's not exclusively so. ABBA makes/re-makes fans every day. Perhaps as you go on to the second link, I'll add a couple of impressions:
As usual, Agnetha is candid... to a point. I find it poignant that the interviewer needs to work hard to elicit a (mainly) lukewarm response from her about "what was fun" about the ABBA days. Also, look to the end of part 2 of the interview for an intriguing glimpse into the sensitive lady's inner make-up. (I.e., her "Ferdinand the Bull" comparison.)

Link to second You Tube video (interview): http://www.youtube.com/watch?v=lHRCGJLIs0k&fmt=18

Learned thus far (updated) : A few months ago I knew little about ABBA. (Didn't even know all of their names, including Ms. Fältskog's.) Caught up to the world a bit here, and also belatedly found a star who excelled at her art; but sacrificed for the benefit of her hugely successful band. (Qualified use of "sacrificed": She's a wealthy lady by most accounts.)

 I'm not prepared to comment upon the late-1980's-1990's private portion of this reluctant star's life. Though inspired to write about her/her music, I respect
Ms. Fältskog's current, private life. (E.g., this singular blog effort is not promoted, or for monetary purpose, etc., etc.)  Agnetha has also been quoted as saying she did not aim "to be worshiped by loads of people". (I'd offer that it is too late (i.e., to squelch some of that); sometimes admiration (of a talented person in a public profession) can't be prevented....). 

Also: Please consider this qualifying post (link). Carl Magnus Palm has achieved a definitive account of ABBA and its members. Many of the insights offered below have subsequently been checked/validated via Mr. Palm's book....

Update: "A very nice read": Also before proceeding -- if you'd like, and are still staying with me here -- please enjoy a good, condensed perspective via an excellent 1983 article about Agnetha's life and career. From this link to "Mikory's ABBA Blog". (It's also available here.)  (From 'Allers Magazine'.)




Agnetha: (As an adult.) Summary of learning here, and likely a confirmation of what long-time fans know. (This summary is an overview, it is not comprehensive. (Please peruse Ms. Fältskog's As I Am biography and  interviews for a more complete "picture".) Publicly-available source info. is credited/linked.) :

Sensitive and talented; outright gifted in voice and appearance.
(At times) An expressive singer.
Ambivalent about success, stardom; comfortable working/being alone (or nearly...)  
(Update:) "...both shy and determined..."   
A strong need to "be herself" as an adult. 
Was temperamental at times.

A pure and sweet voice, but it may chiefly be remembered (as
skillfully) blended and harmonized within ABBA....A brilliant (definition) pop soprano (?) voice, nicely matured now.... Somewhat "anonymized" (outside of her country/region) by a lilting but unfamiliar name, plus her team member status.... Was usually seen from afar on stage (in matching dress) with ABBA, or not at all (working from the studio).... But for many who got, or have now had a good look: A smiling sensation. Notable for the raves (for her) on present-day You Tube. (Many well done "queen of pop", etc. tributes there.... Not that most of this blog isn't one too... Haven't really found a YT commenter who doesn't like her performances. Just about everyone likes her/her voice....) Emulated singing with her idols for many hours as a girl. .... Became a teen-aged star in Sweden, "bigger" than others who formed ABBA....Younger by a few years than her band-mates; possibly was less worldly.... (Found herself) (R)equired to balance 'mom'/successful career woman roles (slightly ahead of her time).... Part of Ms. Fältskog's personal dilemma at the time: A "big" star's voice, appearance and stage presence, (co-)fronting a music group that "took off", but desires and disposition not matching (the external aspect).(E.g., ref. lyrics to ABBA's 1980 'Super Trouper' for a possible glimpse at how Ms. Fältskog (and maybe all of ABBA) came to view touring, and even stardom in general...) I.e., A bright voice, bright smile, but was inconsonant (as a person, at the time)....Contradictory at times, also....Evidently shy (e.g.,see this linked quotation, 2nd-to-last paragraph), likely inner-directed, devoted to her family, self-critical about her English skills (and also certain recorded efforts, per page 123 of As I Am), admittedly anxious at times... Yet a dramatic and confident professional singer -- her (childhood) dream.... ABBA's "Thank You For The Music" (link is to a special "Doris Day" version) seemed written largely with her in mind: Proud, but grateful of her gift. This song's lyrics speak about (even for) an important aspect of the performer from the time. (But note that it was recorded in 1977).(7/09 blogger note: Per subsequent reading of C.M. Palm's ABBA biography this last statement may not be entirely accurate, other than the proud and (generally) grateful part.)......Another song perhaps fitting Agnetha's more intractable (or temperamental) side: ABBA's "That's Me". (A favorite of both ABBA ladies.).... Not often apparent, but perhaps a possessor of a (playful?) sense of humor. (Planned, public examples are shown here and here.).... (Updated info.:) Apparently a yoga devotee in more recent years.(Confirmed: Pages 140-143, "As I Am" biography)....Always an artist first; never about huge money for her, professionally. (As with most/all of ABBA's members. And sensitive about that aspect of her success, too). ....Warm and engaging as a stage performer, especially on camera, especially in close-up; but modest and seemingly embarrassed by unsurprising attention to her sexy stage appearance and persona. (Which was unabashed at moments...Again, seemingly a two-fold nature (a key aspect): The charismatic performer vs. the (more) private person.) Occasionally less-than-perfect though, as a live singer with ABBA. (Her discomfort in front of crowds possibly a reason....11/09 update: Confirmed, via page 137, "As I Am" biography.) 
And, apparently: Not the best of luck with men at times (depending upon what (often) second-hand "information" you want to believe). Ironically: Described by some (associates) as a person open to love ,who often wrote or sang about love, but seemingly let down by various men in her life.(No confirming link is provided here; but (often) speculative info. is widely available.) Despite this, the public image of a forlorn woman -- advanced in part by her songs and singing style -- may be exaggerated. 11/09 blogger update: Pages 120-21 of Ms. Fältskog's "As I Am" biography feature passionate inveighing against said "forlorn woman" image. Perhaps a key reason that As I Am was written...I.e., an attempt to "set the record straight". 

And then? She went her own way; moving away from this former, famous incarnation.


Last note: The following quotation has been attributed to Ms. Fältskog. If true, it tells much -- but (effectively) disowns (and contains) part of her appeal. The spotlight: Both her friend (she showed well in it) and her enemy (didn't enjoy the attention/consequences):

"The driving force wasn’t so much to be visible as a person as to show my talent." 

11/09 update:  Per page 137 of the "As I Am" biography, the quotation above is out of context. To me, Ms. Fältskog is talking (more) specifically about performing on stage with ABBA (i.e., in that page 137 paragraph). However, FWIW, here is a link (to a 1997 article) where Agnetha (reportedly) says these words - which are important for better understanding the artist - in a slightly different way (and context): My strength is not showing myself, but my talent.”

Speaking for many however, thank God she "let it shine". (Her talent.) We all benefited. Beyond financially; how much did she?

That said, though, another quotation from Ms. Fältskog to consider, in a 1986 interview with Året Runt (magazine?). I think that this strongly hints at what she ultimately evolved toward. (I.e., for the most part, an independent woman (and mother).) "Besides, I don't think it's really true that it makes you a complete person just because you have someone by your side. The loneliness can also be very stimulating. You can sense your freedom." 11/09 blogger update: Impression confirmed, re Ms Fältskog's own words on page 84 of her 1996 biography, "As I Am". Also ref., her "enormous need for freedom", part of an intriguing self-description on page 143 in that book.  If interested, pls. see a complete 1987 interview  conducted with Brita Ahman which also portended the future, linked here (Mikory's ABBA blog): http://abbamikory.blogs.com/abbamikory/2010/01/agnetha-the-children-must-come-first.html.

(Not qualified to go further with any of this. A more complete examination could not ignore the bizarre affair summarized in Mr. Palm's ABBA biography, pages 523-25. A reputation-damaging lapse in reason(?) would be one guess.... Notice: Some speculative and/or questionable content, via the linked YT video. Could her dalliance have been a very strange publicity stunt? A passing physical attraction? (E.g., A real life version of (the main message in) this 1983 song video (link)?)   A "cry for help"...?
None of the above seems to be in character (public perception) for the seemingly down-to-earth Swedish star. No one really knows except Ms. Fältskog....But that late 1990's, "head-scratcher" relationship with a Dutch fan seemed to defy conventional reason; rationality.)


(Continuing on:) Excellent "bonus" info./link: I'm also a big fan of John Wetton (King Crimson, U.K., Asia, etc.). Through the interesting "http://www.agnetha-forever.de/" site, I've just discovered this great little story that John Wetton offered about briefly working with Agnetha, back in his "Asia" days. Kind, insider impressions about working with the nice, talented lady. And as he notes, Agnetha Fältskog IS an inspiring woman, just by being herself. Written in 2006 here is his succinct summary of Ms. Fältskog (his experience knowing her); which may in fact substitute for a fair amount of my voluminous summary (above):

"Emotional vulnerability with powerful inner strength. That`s what it is."

Take a quick look at Mr. Wetton's brief article - including his nice closing comment (re working with Agnetha)- at the informative website (link): http://www.agnetha-forever.de/ChangeLog/move/move.html


Note: The paragraphs that follow are also available in a separate post: https://star4abba.blogspot.com/2009/05/ms-faltskog-1985.html

One more "must see" for fans of Ms. Fältskog: Get to know Agnetha from 1985 via this charming and quite in-depth six-part interview, recently posted on You Tube. Lovely woman, lovely voice. Consistent in her outlook and views. Honest. And endearingly nervous at the show's beginning (despite being a world-famous star). Although her apparent comment about "having nightmares for six months" prior to the appearance could be one clue as to why she proceeded to drastically reduce such activities: http://www.youtube.com/watch?v=h6ycR3mzz_c&feature=related

Even more (this post may, in fact, never end): Another charming interview around the mid-'80s, I believe. The Belgian audience is in love with her, and her voice is mesmerizing. And very sharp English speaking (and listening) skills here too! Agnetha's more "up" for this little chat; less nervous. The somewhat awkward interviewer might have been less intimidating...she's actually kind of laughing at him at the end. (I've noticed that back then at times, she occasionally seemed to be "putting the interviewer on" a bit, at points. Interesting. One reason might have been that she got the same questions over and over.) At any rate, for whatever reason, she's at her charismatic best here:  http://www.youtube.com/watch?v=mv9JrEWDZGw&feature=related
2010 update: Bad news...the interview portion of this appearance is now gone from YouTube. A link one of the songs Agnetha performed on the show: http://www.youtube.com/watch?v=UI5uO8VyNhU 
Update: Here is a different current YT link for the '85 Belgian TV interview/performances (new window opens): http://www.youtube.com/watch?v=h1ypyMMfSzw 

Yet more from 1985? Here's a link to a pleasant album promo video where Agnetha talks about her current life, Sweden, etc.  And in about the most musical-sounding voice possible. Enjoyable (especially like the fall in the snow with the dog). And she again shows consistency in her views: http://www.youtube.com/watch?v=iMK5C9Mx_RE&feature=related

As mentioned above, please see this separate blog entry for even more information about 1985 happenings for the artist. (And it's the preceding, or next one in the order of posts here, depending upon how you're navigating through the blog.) : http://star4abba.blogspot.com/2009/05/ms-faltskog-1985.html

Even more: A snapshot of Agnetha's state from around 1996? Here's a rough (quite) English translation (via Google) of an article by Per Svensson, from that year. Title: "When the tears ended."  I don't know how long the link will remain valid: http://translate.google.com/translate?prev=hp&hl=en&js=y&u=http%3A%2F%2Fwww.agnetha.net%2FSJAbook%2Fmirror.MJ%2F9608_svensson_agnetha.html&sl=sv&tl=en&history_state0=


Link to my full blog: http://star4abba.blogspot.com/