(Blogger note: Except for 2013-14 updates below, much of this website was written between 2009-11. Reader notice: All 'abba4ever' forum hyperlinks (within the blog's text) are defunct. (Forum has closed.))
Showing posts with label Benny Andersson. Show all posts
Showing posts with label Benny Andersson. Show all posts

Friday, June 12, 2009

FAQ: Why hasn't Sweden's 'Litteris et Artibus' medal been awarded to ABBA's Agnetha?

 (2012 update: Agnetha gains recognition of a different form. More here (link, new window). 2014 update: Not quite the same as what is detailed below, but ABBA receives an (apparently) official prize, as detailed via this off-site forum link: http://www.iphpbb.com/board/ftopic-30652567nx61610-14716.html#625407 
...And one more belated update to the 2009 post that follows: I've learned from this website (link) that Agnetha once received a "gold medal from the king" (of Sweden) around the time of further honors from her birthplace (Jönköping), in 1984.)

(Previously written text follows, from 2009-10:)

Huh? OK, that question might not be on your '411' short list. And it's very likely not on the docket of ABBA's Agnetha [aŋˈneːta] Fältskog. But we're here, the question's been posed, so let's briefly work through this together why don't we. Perhaps someone who actually knows can enlighten ABBA/Agnetha fans about this one. (Note: Links below are light blue.)

Beyond what is shown on the web site for The Swedish Royal Court I admittedly know little about the subject. That source says that the Litteris et Artibus royal medal "... is awarded for outstanding service to the arts, especially to music, dramatic art and literature."
Also from the royal site, re Medals (in general) : "Medals are presented to Swedish and foreign citizens for outstanding contributions that benefit society and also in commemoration of significant people or important events."

Agnetha's former husband and ABBA band-mate Björn Ulvaeus was awarded this medal in 1999. Without knowing all of the criteria it's still fairly easy to understand why. He, along with co-writer Benny Andersson (ex-ABBA) have made significant music composition contributions since ABBA. And, of course, they were the (primary) writers of the successful group's many popular songs. (So why hasn't ABBA's musical "engine" Benny Andersson also been awarded this medal? Updated note: Mr. Andersson apparently has a few (other) honors of his own (link)....))

I'm not certain who (in Sweden) selects appropriate recipients of this medal, though it's likely H.M. The King himself and/or appropriate individuals with some formal (i.e., royal) association. And I'd guess that most of the rest of us don't know all of the criteria or qualifications for such an award.

Please note:
This is not the launch of a "mouse potato" campaign on anyone's behalf. (I.e., Ms. Fältskog.) I might be fairly presumptuous at times, but (even) I would not be that forward. (BTW, the artist is reputedly not a PC/Internet user.)  And per below, she doesn't need 'help'.

All that said: The interesting question remains. Out of curiosity, why hasn't this Swedish royal medal been bestowed to date? Some ideas follow, further below. Ms. Fältskog's desire for privacy may be a concern.

Many ABBA/Agnetha fans can offer reasons why she should receive serious consideration for an award. (You knowledgeable ones receive a gold star of your own and can probably skip this section.) A few obvious ones: 1) Her pure, brilliant singing voice alone should make her something of a "national treasure". (My opinion, but shared by many. Here, also.) I'm likely being naive, but Ms. Fältskog is so well-known and regarded via her voice worldwide, that (I'm bold enough to suggest that) perhaps she should (alternatively?) be considered for Sweden's Hovsångerska title.(Usually reserved for opera singers.) Both of ABBA's accomplished singers perhaps should be....   2) Her voice (plus, as noted several times here, her appearance, stage presence, etc.) helped sell over 350 million records for Swedish supergroup ABBA, worldwide. (All record sales figures are estimates, by record companies.) To many (not all), Agnetha was ABBA's primary "focal point". A pop music icon, though she did not seek that status. 3) As a solo artist since ABBA, she has sold millions of her recordings. (E.g., 1983's "Can't Shake Loose" (single), RIAA "Gold" certification. The Agnetha.net website (Bio section) puts song copy sales at 2 million +.) 4) In 1975, Agnetha co-produced and wrote most of the songs for a fine, solo studio album (in Swedish): Elva Kvinnor I ett Hus, Cupol CLPS 351, released December 1975.(Title translates to 'Eleven Women in One House (or Building)'. Bonus: View some fan/experts' rankings of this album's songs, here (link).  5) As a solo artist prior to ABBA, and even occasionally during her ABBA years, Ms. Fältskog (often) performed (in) local concerts or shows (e.g., annual "folk park circuit"), etc. throughout Stockholm/Sweden. (Note: Please refer to years 1972 or earlier via the excellent "ABBA Annual" link.) She also was a successful teenage singer in Sweden, prior to ABBA. She also starred as "Mary Magdalene" in the original Swedish production of the musical "Jesus Christ Superstar". (YT link to a distinct (and beautiful) performance...) 6) As noted previously in this blog, ABBA and Agnetha continue to be popular today via You Tube, worldwide. (I haven't even talked about the ABBA-inspired, successful musical, Mamma Mia!.) One of a number, this unofficial fan-created web site illustrates Agnetha's enduring popularity: http://www.divasthesite.com/Singing_Divas/Vox_Populi/vox_populi_Agnetha_Faltskog_1.htm 7) From what I know, Ms. Fältskog is a Swedish citizen in good standing; born, raised, and still residing there. AND, has likely been a "mega"-taxpayer in the Swedish system. 8) For ABBA and its members, The Rock and Roll Hall of Fame beckons. I firmly believe that this overdue international recognition is coming in 2010. 9) Agnetha's got a (Note: volume is high on the clip) "secret" sense of humor.... (OK, I added that as a "medal qualification" ...And the sense of humor is not really a secret; here is a forum 'thread' devoted to it (link): http://www.iphpbb.com/board/ftopic-30652567nx61610-9485.html ) Update: 9a) Some of Agnetha's vocal 'antics' in certain solo appearances (link to one impressive example, new window), a few songs with ABBA, and the solo song mentioned in the next point; show a decided sense of humor with displaying (indulging) various vocal abilities. Although much is owed to this song's production, just one ABBA example: After enjoying Frida's appealing lead listen to the following song again (link), for Agnetha's intertwined, high (background) harmonies...
10) She did "Golliwog". (jk, again.)


Obviously, I could go on further about this, offer more reasons, etc. (Mercifully will not.) But this isn't a campaign. I doubt that H.M The King accepts "write-in votes" for potential medal recipients. It's likely considered rude to even ask....

Regardless...Examples seem to be many for Ms. Fältskog, supporting the stated qualification of "outstanding service to the arts, especially music...(etc.)". Other popular singers in Sweden have been awarded this medal. As noted, we don't know all of the criteria. Perhaps it's "not such a big deal" in Sweden. Perhaps it's believed that ABBA members have received enough (money, rewards, etc.) Equal time: Here's a link to another point of view about awards for ABBA members: http://www.abbaplaza.com/site-en/columns.asp?ColumnId=45.

Tuesday, April 28, 2009

Singing Sirens: ABBA's 'The Day Before You Came'

© 2009-2013 (original portions). Slightly updated, 2013.


(Original text:) It wasn't always easy to tell with some ABBA songs how adept, how talented the two ABBA front singers were. (Agnetha (äng-EH-tä) Fältskog and Anni-Frid Lyngstad.) However, not with the pensive "jewel" that follows. (Embedded video is below.)

To me, the last minute-plus of "The Day Before You Came" perhaps comes close to what Odysseus (Ulysses) might have heard, lashed to the mast, his rowers' ears covered with beeswax. Well; fairly close, I imagine.... Here we have Anni-Frid Lyngstad's finest* single moment with ABBA: Her haunting solo vocal line, backing this song. (Termed "operatic" here.) It seems to emanate straight from the fjords of her birthplace. Combined with Benny Andersson's skillfully accompanying instrumental: The striking voice line and the synth finally "resolved" together at the very end. (FWIW: Some listeners contend that part of "Frida's" backing solo is actually Benny's synth. I believe that the instrument may 'take over' for just a very short portion (of it)...)
Incongruous and relentless snare drum/synth percussion steps us through the entire, dreary proceedings. (Page 97. The same author has noted that Åke Sundqvist played snare drum on this recording.)

(*A worthwhile aside, briefly: Frida's rich lead vocal in ABBA's "Knowing Me, Knowing You": Another "best". Also; nice lead in "One Man, One Woman".  "Super Trouper", as well. A bit difficult to pick out, but magnificent Frida at moments on "If It Wasn't For the Nights". Most stellar Frida: "Our Last Summer" and the lovely "Gonna Sing You My Love Song". Absolute velvet (-voiced) Frida: Her lead in "The King Has Lost His Crown" (must-see video linked). Tiny comment: Might have featured her even more .. Though her sonorous harmony contributions in "The King..." are...."awesome" . Please enjoy music expert Christopher Patrick's (much) more sophisticated observations about this "understated treasure" (ABBA song)... here (link). And one more worthwhile suggestion while we're here: Learn much about Frida and ABBA in general via this outstanding "101 videos" (ABBA) list. Excellent, comprehensive work by a very knowledgeable fan. (Link to list.))
(One more for Frida: Not ABBA's top song but Frida's clear, bright lead on catchy "You Owe Me One" - very enjoyable. (Along with Agnetha's intertwined, high harmonies...) Can't stop: Nice, quick YT birthday tribute (for Frida) by aficionado '2Shaymcn'; link, new window. Please enjoy a bit more of "prime" Frida via the embedded video at the end of the post...))



(Continuing previous text:) And, of course, gloomily mundane "The Day Before..." is a match for Ms. Fältskog's interpretive abilities. Her perfect, feminine voice appealingly smooths the hour-by-hour drag.

(And more, re video: Lip-synched by Agnetha in beautiful close-up, below; issuing a few of the saddest gazes possible....Lips that "say it all"....Dressed in stand-out red, but with black gradations (etc.); a good color scheme. (W/appropriately dark suits for the others.) Plus, (more) incredible looks (from Agnetha) on the train, etc. in the brief, included"official" video segment (at the end; excellent. Sorry about the "crawl", though..). A good actress...almost too alluring.)

(Resuming:) ABBA's finest complete song...it's beyond "pop", and its writers/producers deserve much credit. But siren singing/presenting, as well. (I.e., beguiling.)

All grown up now (although grown apart); we witness the 'super-group''s last recorded song. Amazing: Right from the "snow globe-opening" start, there's that big, old, slightly kitschy 'ABBA' sign sparkling behind the group....      as a somber masterpiece is doled out: 
("Wait...where's ABBA?")

"Dancing Queen"
we are no longer....

A decent-quality video follows. Thank you to "ABBADiego" for producing, and for allowing embedding. (Headphones suggested.)


(Link to this YT video if needed: http://www.youtube.com/watch?v=8GAPAvev-os&fmt=22)

(Plus: A link to the full, official video for this song: http://www.youtube.com/watch?v=1HnOFwqpLRQ  )





(screen cap; link/video are below)
Bonus: The ABBA song described above
has a more-than-decent 'B' side.  
(Also happens to continue a mythic 'theme' touched upon above (independently, of course). (Cassandra of Troy...)) 
This song is yet more ABBA "vocal magic" on display. A brilliantly arranged song, beautiful harmonies; but where listeners can at times (also) "compare and contrast" the two singers' voices. Frida has the wonderful lead, of course, but Agnetha's "crying voice" high harmonies/melody take-overs comprise some vintage Ms. Fältskog (of ABBA). Typically (i.e., remarkably) skillful in harmony through much of the song... but her final two chorus melody-appropriations (refrains beginning: "Sorry Cassandra I misunderstood..."): Prime, "Agnetha in a 'nutshell'" (vocally) from her ABBA days.... at least to this listener. It's a distinguishing "sample": (Current YT link)  http://www.youtube.com/watch?v=Os_bSwg02J4
(Further credit to ABBA's producers and especially engineer Michael Tretow for vocal-enhancing work on Cassandra. Also, FWIW: To this listener, Agnetha's voice seems just slightly "pinched" or tense within the first chorus of this recording. (I realize that she is 'holding back' a bit, early in the song.) That seems to diminish the 'next time(s) around' (for the chorus)....)

2013 update: An excellent current YT production of 'Cassandra' (1982) followed by 'Under Attack'. Thank you to 'Fafner888' for producing and permitting embedding. Both singers are wonderful (recorded), but Frida's lead in 'Cassandra' comes through beautifully (in this production), as her intricate harmonies also do in 'Under Attack': 

(video link)

Update: GONE....Try this sample song link instead:  https://www.youtube.com/watch?v=qaS-4edJ_t8&ab_channel=ABBA-Topic


  For this post also ref.:  Bright Lights, Dark Shadows: The Real Story of ABBA, 2008 edition,
Carl Magnus Palm, author, pp. 456-58.
If interested also please ref. pages 93-95 in Christopher Patrick's ABBA: Let the Music Speak for more complete (and learned) analysis of Cassandra.and Under Attack

 

(Blog note: This post entry is backdated to better fit within the order of posts as displayed here. It's actual creation date is 6/29/09. Updated, 2010. - Mr. D. Tails)

Link to full blog: http://star4abba.blogspot.com/

Monday, March 16, 2009

Sexy Agnetha

 (Updated, 2010-12. Note: This post is part of an appreciative but unofficial Agnetha-focused website.   A brief 2012 update may be found near the end of this entry.)


A seductive-sounding video is below. What a talent. I don't think there's an antidote for this woman's at-times-sexy/at-times-even-soulful voice (in her own way); not for me. (And there's more to Agnetha Fältskog's singing voice than even that: One link.)

Although she's of course known, I still don't believe that ABBA's (former) 'focal-point' Agnetha has been given her due. Yet.

FWIW, the background 'panting' (or whatever the spoken parts are) in this (first) number could be a bit much, but still: Let's quote this person's rave (out of many) from YouTube :
"Wow! I am SPEECHLESS. This woman was out of this world. That voice etches itself permanently onto your soul. And she was still the sexiest woman on the face of the planet, hands down!!"

Your headphones.... an excellent choice for this one. Though the video portion is apparently from another song (possibly the one shown further below).



(Refresh the page if necessary to view the video. HQ link to YT for this video:http://www.youtube.com/watch?v=iFz5Z6QRCR0&fmt=18)

Ms.Fältskog has even stronger solo efforts; outlined here (with links): http://star4abba.blogspot.com/2009/03/best-post-abba-song-for-ms-faltskog.html

Bonus:
Another You Tube video (properly-synched) from the same 1983 TV special. Thanks to 'abbafanglosuk' for posting.  Special voice; special lady. (Even with the 'play' arrow planted there, and wearing that not-completely-flattering blue dress(?).)  Can never get enough of Agnetha's 'la-la's' and humming in the latter part of this song....  
(Immediately preceded by her out-of-this-world sexy 'Älska mig's)






"Sexy Agnetha": A performance attribute - happily - captured; with an abundance of enduring examples (career). Just a few:


Etc., etc.....

Counter-point*: Earlier in her career Ms.Fältskog had some harsh words (attributed) for "sweaty, obsessed crowds" (per her As I Am biography, page 72, about one massive ABBA tour), and also (about) her own body image (link):
"I am not beautiful and not sexy..."

Something perhaps to keep in mind when attempting to better understand the individual behind the (frequently) sexy voice and on-camera image....
Often; (seemingly) a person of contrasts



* A final updated comment, for some modern-day viewers:  Yes: Outfits, certain dance routines, perhaps some song lyrics employed by ABBA - and Agnetha - can be viewed as (being) sexist.
 (One (gorgeous) example? (Ref.: The women's skin-tight outfits...(duh)) Link, new window.)  
  
Much of what we're viewing (now) is through the 'prism' of 30+ years. Otherwise leaving this subject for (any) interested readers to debate....

 
2012 update  (link follows): Not sure I'm fathoming the scope of this "award" (e.g., time frame covered (a hint is included here), is it a Swedish-edition magazine (i.e., ELLE.se) award? Answer: Appears to be 'yes').... but congratulations for Ms.Fältskog seem to be in order.  As noted in this blog several times Agnetha is an icon, in a few ways....
The '70s still 'rule'...?? (link, new window): http://elle.se/3-favoritogonblick-med-agnetha-faltskog/

(Just sayin': All the photos and most videos on the ELLE site (above) were from that ('70s) era, as were many of the large photos (apparently) displayed at the event. It is a 'legend' award however. Agnetha (also) was apparently cited (by a presenter at the event) as being an "...inspiration over the years".)

(More here: Lovely lady, lovely pictures posted here (new window). I think everyone believes that....http://www.iphpbb.com/board/ftopic-30652567nx61610-11968-120.html .  
A bit of a personal observation (picking up from the previous paragraph): If you go back and look at some photos of Ms.Fältskog in each decade of life (even as a girl) ...she looks the part! I.e., a good-looking person at different ages. A fittingly attractive "model" at each stage of life.)

As a couple have wryly commented elsewhere (re the fashion award):  
"If only she could sing!" (I.e., would record maybe one more time...) FWIW, Agnetha's speaking voice near the end of this edited clip (from the award gala) still sounds pleasant and quite youthful: http://www.youtube.com/watch?v=E_7iVx96VME


It's available elsewhere now too, but here is an edited, embedded clip from the event incl. Ms.Fältskog's brief appearance after the two-minute mark. (Thanks to YouTube's for the post. YT and a few other Internet sites are about the only way most fans learn of/can enjoy such (public) happenings. How about an "icethesite" (news/music site) for Agnetha...?? )

Ms.Fältskog's glowing appearance/warm reception at this event READILY evokes solo song lines: 
"The Queen of Hearts is back in town/....still wears the crown". 
(Etc...)










Link to my full blog: http://star4abba.blogspot.com/


Monday, March 2, 2009

Addendum: The Rock Hall beckons, 2010

© 2009-2011 (original portions)

(February, 2010 update: It looks like Benny Andersson and Anni-Frid Lyngstad (Frida) of ABBA plan to attend the March RRHOF ceremony. Not too surprising, although they are divorced. (Long time ago.) I haven't seen any public comments at all from Agnetha Fältskog about the induction. Not too surprising either, I suppose. Sections of the following written in December, 2009 can be read for (or with) amusement.
Also, late 2010 update: For those interested, Ms.Fältskog briefly mentions a few "everyday living" details in her recent 'M-Magasin' article (Sweden); described in more detail via this post (link).)
Please also see the updated footnote at the bottom of this entry.


(Previous post follows:)

12/09: How might Ms. Agnetha Fältskog feel about induction (with ABBA) to the Rock and Roll Hall of Fame? (I.e., the ABBA member that this blog is focused upon....)

We don't know....yet. I haven't read any published comments from the singing star, though it is early.

Note: A portion of what follows is sheer speculation. Other than being a fan plus the research I've done into her public career here, I obviously have no "insider" connection at all with the artist and others associated. So think of what follows (further down) as part-fiction (or fantasy), for the amusement of occasional readers who stop by. (Some of what follows is knowledge-based to a degree; based upon the findings published here.) I am not "speaking" on behalf of any famous music artists, in any way. 

Also, there is so little current writing about talented Agnetha Fältskog -- especially in the USA -- that (appreciated or not), I feel I'm slightly filling a void. (In other words: It's my blog. So here goes....) This post is backdated to conform with the order of entries here. It's actual creation date is 12/17/09.

Oh...and I'm not going to join any arguments about whether ABBA "belongs" in the Rock Hall or not. If you care, pls. know that it hasn't been exclusively the "Rock and Roll" hall of fame for many years. It's about inclusion now.....(Take a look at this link which describes the induction process. It's subjective.) FWIW, ABBA's induction for 2010 was correctly predicted within this tiny blog


 (Old, 1993 image from Google/LIFE photo archives:Chuck Berry and Pete Townshend at the groundbreaking for the Rock and Roll Hall of Fame (Cleveland, Ohio, USA).)  

Not too difficult to guess: I'd speculate that Agnetha Fältskog "feels" about the same as bandmate Benny Andersson, per his comments from two days ago in Andy Greene's Rolling Stone magazine interview. Asked about the announced induction of ABBA, Benny said:
"I'm surprised. It's quite wonderful. I didn't think this would happen, because we were a pop band, not a rock band."
And also from Benny (same interview), about ABBA doing a reunion/performance. (E.g., for the 2010 induction): 

"...The people who are really fond of ABBA for what we did, I think we are doing them a favor by not going out. We all feel the same. It's been too long of a time. It's been almost 30 years. There is no reason...."
Note: He didn't completely rule out an induction ceremony performance of some sort, saying "you should never say never"....

People obviously have differing perceptions about the Rock and Roll Hall of Fame. Some might consider it an international honor to be recognized, but for many -- especially outside of North America -- it may not be a "huge deal" at all. I've checked a couple of Swedish news publications online in the last day, and announcement reaction there is muted so far, to say the least. (E.g., 'Dagens Nyheter', the Swedish paper "of record".) Reading some comments at the international "abb4ever" forum, it seems that there is enthusiasm for the announcement (especially from U.S. members), but also some skepticism. Some feel that the honor is not necessarily universal (in nature or scope), that the clannish nomination/selection process is largely opinion-driven, and a few believe that the induction is overdue (for ABBA). Plus, as noted, the Rock Hall has been controversial for some time now; admitting artists from genres not closely related to "rock".

I need to also firmly keep in mind that ABBA is your father's/mother's pop band for many in the world today....And that the musical/movie 'Mamma Mia!' is as close as many get today to the songs of the band.

All that noted, I'd guess that the private, generally down-to-earth Ms.Fältskog is pleased in a private, down-to-earth way to learn of ABBA's induction. (Assume she's heard....) Focused upon family and close friends, and her horse farm/estate by the Stockholm archipelago, the Rock Hall likely isn't something to which she's been paying attention. The ABBA days are resolutely behind her, but at the same time they remain with her always. (Please see this 2009 interview (link).) It must be proud and satisfying for her (and other ABBA members) to have their work live on (even prosper), and to now receive acclaim and recognition. As (was) true with this writer (for many years), in their day ABBA had to endure criticism from "pundits" and members of the public for what they did. (Even in their home country.)  It has to feel satisfying now for all members, though Agnetha has said that she is not surprised that ABBA's music has endured and prevailed. (Ref.: Her 1996 "As I Am" biography, pages 133-137.) I'm sure the irony of lasting popularity and belated honors for ABBA is not lost upon her at all.


(Old (1988) image from Google/LIFE archives: "Pop music legends (L-R) George Harrison, Bruce Springsteen and Mick Jagger jamming on stage at the Rock and Roll Hall of Fame induction ceremony.")

Personally (for a moment), I wonder what it's like for the bright-voiced singer these days. While thinking about it, I wonder if she sings for pleasure at all. (And plays piano. Link to a beautiful 1971 Agnetha song featuring the star on piano as well...)) Perhaps for her grandchildren?* To keep the voice limbered up? It would be a shame if no one at all gets to hear her gorgeous voice. And, like many fans, I wonder what she does to fill the days. I read that already-late-Fall-dreary Stockholm experienced a "nearly-sunless" November just passed. (Only 17 hours of sunshine during the entire month.) Though used to dark winters, that degree of gloom has to affect most people at least a little. Anyway, I have no real idea, other than her farm/estate must take some effort (in winter?), plus her cherished children/grandchildren (some live there), and whoever her close friends/significant other may be. Agnetha's "As I Am" biography noted that she likes to read, and that she practices yoga, etc. She enjoys being outdoors, per her 2004 Swedish TV interview. Rumored not to be a computer/Internet user at all, in forums that I've read. And as noted elsewhere one thing she doesn't want: Being "worshiped by loads of people"...


(YouTube screen cap of Agnetha in winter, from 1985 TV special)

The noisy, glitzy world in which new Hall of Fame inductees briefly partake must seem a far cry from a snowy, island estate right now. (Or the south of France...who knows?) As noted here and elsewhere, Agnetha's celebrity has, at times, been a limitation and a burden for her. Trust of outsiders probably has become difficult via some of her experiences And though she's said in the past that she's concerned about events in the world, how disconnected must she feel these days, especially from the world of music celebrity (largely) represented by the Rock Hall. (And its staged induction ceremonies.)

Ms. Fältskog has often chosen her own way, post-ABBA. (Helped in no small part via the band's success and material rewards.)....

--Update and edit: I'm cutting the remainder of this rumination short (& cutting a paragraph or two), as the remaining (speculative) commentary is/was rendered pointless. I.e., Agnetha opted not to attend the 2010 RRHOF ceremony (for ABBA's induction) , which is her right.

(FWIW, leaving the post's closing lines intact, as follows:)
 


I'll end this hypothetical excursion by noting what Agnetha wrote (in part) in the preface to 1996's "As I Am": 


"...(M)y path has not been determined. I shall have more experiences and pass many more milestones."


* -- Updated note: The comprehensive 'abba4ever' forum has come through again. A fan's English translation of a charming, 2009 interview with Ms. Fältskog is available there. (Conducted with Swedish Radio's Lotta Bromé.) The family-focused singing star offers a few glimpses of everyday life, and notes that she "strums" on the piano (a little) and even teaches her grandchildren -- a bit. (At the piano, I assume.)  Here is a link to the forum member's posted translation (new window): http://www.iphpbb.com/board/ftopic-30652567nx61610-8202-30.html




Link to my full blog: http://star4abba.blogspot.com/